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Thread: Guitar Megathread II: Unleash the picking fury!!!

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08-27-2023, 04:39 PM
#2491
I only found out later that Kotzen was part of the Becker/Gilbert/Friedman crew. Glad he went the way he did. Much more refreshing and original compared to just shred guitar.
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08-27-2023, 07:45 PM
#2492
Originally Posted By rollerball⏩
Yeah I'm not actually criticizing him other than I feel like he put a limiter on his playing. Perhaps playing with his fingers is easier for him when singing, or maybe he prefers fingers for his "power blues" style or whatever it's called.

I also think it's funny that he was kicked out of Poison for sleeping with the drummer's wife. Doesn't use picks, sleeps with married women - what a fukking deviant.
On the topic which is your guy's preferred picks? I have been using Dunlop Gator Grip 2.0mm but have been looking for something new.
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08-27-2023, 08:18 PM
#2493
Originally Posted By CherryPopinski⏩
On the topic which is your guy's preferred picks? I have been using Dunlop Gator Grip 2.0mm but have been looking for something new.
I use Dan's guitar store precision pink picks

https://www.dansguitarstore.com/the-precision-pick-pink
I don't answer questions
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08-27-2023, 09:30 PM
#2494
I went through a huge pick phase. I started off with Dunlops of various thickness with mainly the tortoise ones or the gator grips, occasionally the jazz III, stubby, delrin, and ultex versions. Then moved to V-picks. Then went to Wegen picks. Then moved to Gravity picks. Then moved to Blue Chip picks for awhile. Then decided the Blue Chips, while extremely durable and glided off the string so smoothly, were just a bit too warm. Then went to Red Bear Trading Company which had the best tone but due to the organic nature of the picks I stopped really using them, they're just too fragile. From there went to Chicken Picks and have stayed with them.

Of all those picks I seem to like the Chicken pick material the best. The material feels like bone and I believe it's made of the same material they use for museum dinosaur bones. I really like the texture of the tone the pick brings - similar to Red Bear Trading Company casein picks which apparently sound close to hawksbill turtle picks, but without the fragility.

I really like the Chicken Picks BADAZZ III in 2.0mm. Which is very close to a Jazz III I believe.

https://www.chickenpicks.com/guitar-picks/badazz-iii/
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08-28-2023, 12:17 AM
#2495
Originally Posted By brosapiens⏩
I only found out later that Kotzen was part of the Becker/Gilbert/Friedman crew. Glad he went the way he did. Much more refreshing and original compared to just shred guitar.
Indeed. I love the technical chops of the shred guitar "genre" (I'm thinking of the crew Mike Varney signed), but found the harmony to become quite trite and old-hat after awhile. Eventually, I think the serious guitarist wants to hear and play more complex stuff than basic maj/min arpeggios, harmonic minor scales etc.

It's at that time I discovered jazz fusion, as would a lot of other people and a whole new world of music theory and harmony. Along with the nuances and creativity involved with "playing outside".

Originally Posted By CherryPopinski⏩
On the topic which is your guy's preferred picks? I have been using Dunlop Gator Grip 2.0mm but have been looking for something new.

Dunlop Jazz II's. A rounded edge which is nice for jazzy tones but pointed enough for lead work. I also had a Tortex which was thicker and good for crunchy metal work.

I remember reading about a special designed pick that some amateur dude created, which I read about in Guitar World aeons ago. It could alter the thickness on the go, which would have been perfect for the chit I was doing. I can't for the life of me remember WTF it was called.
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08-28-2023, 03:56 AM
#2496
Originally Posted By Bodhy⏩
It's at that time I discovered jazz fusion, as would a lot of other people and a whole new world of music theory and harmony.
Oh cool, you know jazz theory. I was looking at this piece, and it has a progression that I'd like you (and only you) to explain. The progression is Dbm7 Gb7 Abmaj7. Could you explain how that works? Thanks!
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08-28-2023, 06:30 AM
#2497
Originally Posted By adimare⏩
Oh cool, you know jazz theory. I was looking at this piece, and it has a progression that I'd like you (and only you) to explain. The progression is Dbm7 Gb7 Abmaj7. Could you explain how that works? Thanks!
Lmao, he doesn’t know how to play guitar
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08-28-2023, 06:56 AM
#2498
Originally Posted By rollerball⏩
Lmao, he doesn’t know how to play guitar
I know how to play guitar, what I said was I don't own a guitar currently but am looking for the next axe.

lol @ you going into the retarded Bodhy= serial killer thread to share my completely normal and non-controversial post with those no-life aspies.

I can put that money you're letting me save on rent towards new musical equipment.
Back off, Warchild.

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08-28-2023, 06:58 AM
#2499
Originally Posted By Bodhy⏩
I don't own a guitar
Lmao
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08-28-2023, 09:18 AM
#2500
It's funny how I vacillate between the FM3 and the ENGL. The Axe-FX algorithms have just gotten so good. However, there is no amp in the Axe-FX stable that really mimics the tone I get from the ENGL Ironball SE.

Strongly considering getting a Tonex pedal just to capture my ENGL lol.
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08-28-2023, 10:09 AM
#2501
Originally Posted By rollerball⏩
It's funny how I vacillate between the FM3 and the ENGL. The Axe-FX algorithms have just gotten so good. However, there is no amp in the Axe-FX stable that really mimics the tone I get from the ENGL Ironball SE.

Strongly considering getting a Tonex pedal just to capture my ENGL lol.
Oh…. the ironball. That’s small bro. You probably had many amps before but put your ace ace against big iron. You might be surprised
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08-28-2023, 10:16 AM
#2502
Originally Posted By brosapiens⏩
Oh…. the ironball. That’s small bro. You probably had many amps before but put your ace ace against big iron. You might be surprised
Lol I’ve had 100 watters before I know already. But the Ironball SE stands apart from other 20 watter small toobers/small transformers.
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08-28-2023, 10:23 AM
#2503
Originally Posted By rollerball⏩
Lol I’ve had 100 watters before I know already. But the Ironball SE stands apart from other 20 watter small toobers/small transformers.
Was interested in the 606 SE. once I moved to a house and got some bigger amps it was over. I also bought the waza tae. Amzing stuff for playing in the room. For recording and inear pllaying axefx is probably superior to everything else
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08-28-2023, 10:36 AM
#2504
Originally Posted By brosapiens⏩
Was interested in the 606 SE. once I moved to a house and got some bigger amps it was over. I also bought the waza tae. Amzing stuff for playing in the room. For recording and inear pllaying axefx is probably superior to everything else
The SE is the ultimate bedroom metal amp imo.
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08-28-2023, 10:43 AM
#2505
Originally Posted By Bodhy⏩
I know how to play guitar, what I said was I don't own a guitar currently but am looking for the next axe.

lol @ you going into the retarded Bodhy= serial killer thread to share my completely normal and non-controversial post with those no-life aspies.

I can put that money you're letting me save on rent towards new musical equipment.
Not asking if you play guitar or not, can you explain the chord progression? Thanks.
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08-28-2023, 11:11 AM
#2506
Originally Posted By adimare⏩
Not asking if you play guitar or not, can you explain the chord progression? Thanks.
Lol Bodhy's not the type to back up what he claims
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08-28-2023, 12:04 PM
#2507
Originally Posted By CherryPopinski⏩
On the topic which is your guy's preferred picks? I have been using Dunlop Gator Grip 2.0mm but have been looking for something new.
Ultex Jazz III

I can't play with Dorito sized picks.
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08-28-2023, 12:25 PM
#2508
walked into a Mom and Pop shop 1400 miles from home, and after 2 years of looking for one just to test drive, there was a Gibson SJ200.

Instantly in love. Huge sound, but wow it sounds so clear: you can pick out each note perfectly. I was expecting it to be a big, deep sound, maybe even a little muddy, but it's so clear and balanced

https://imgur.com/y2ZG2CT

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08-28-2023, 01:04 PM
#2509
Originally Posted By Woody-5⏩
walked into a Mom and Pop shop 1400 miles from home, and after 2 years of looking for one just to test drive, there was a Gibson SJ200.

Instantly in love. Huge sound, but wow it sounds so clear: you can pick out each note perfectly. I was expecting it to be a big, deep sound, maybe even a little muddy, but it's so clear and balanced

https://imgur.com/y2ZG2CT

">
So you actually bought that beauty? Gibson acoustics are interesting. They don't always float my boat, but when one does it really floats my boat. I like that abalone inlay work on the neck.
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08-28-2023, 01:08 PM
#2510
The JB matched up pretty close with the paint. Was going to go with black, but they had the pink one on sale for 25% off for obvious reasons, LMAO. Reading 16.9 on the multimeter

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08-28-2023, 01:32 PM
#2511
Originally Posted By rollerball⏩
So you actually bought that beauty? Gibson acoustics are interesting. They don't always float my boat, but when one does it really floats my boat. I like that abalone inlay work on the neck.
Thought about it over night then went back the next morning and snagged it.
I had tried a few J45s that were nice, but this one blows them all away
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08-28-2023, 04:01 PM
#2512
Originally Posted By Dominik⏩
Ultex Jazz III

I can't play with Dorito sized picks.
I have some Jazz III’s but they’re too small for my hands I don’t like em.

Right now I switched from the Gators to the Ultex .73mm (The translucent yellow picks)

But I need to try them in 2.0mm
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08-28-2023, 08:06 PM
#2513
Originally Posted By CherryPopinski⏩
I have some Jazz III’s but they’re too small for my hands I don’t like em.

Right now I switched from the Gators to the Ultex .73mm (The translucent yellow picks)

But I need to try them in 2.0mm
Dom literally said he uses Ultex picks in the post you're replying to, why are you describing them to him lmao
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08-28-2023, 08:21 PM
#2514
Originally Posted By adimare⏩
Oh cool, you know jazz theory. I was looking at this piece, and it has a progression that I'd like you (and only you) to explain. The progression is Dbm7 Gb7 Abmaj7. Could you explain how that works? Thanks!
Lol @ how you phrase your gotchas. Just ask the question straight-up, rather than attempt to disguise it as a genuine question. At least leave off the exclamation after the word "thanks."

Originally Posted By adimare⏩
Not asking if you play guitar or not, can you explain the chord progression? Thanks.
That's better, lol.

So, since he skipped the question, let's start with something easier, shall we? If he has studied jazz harmony, then he should be able to answer:

Original progression: Ebma7 C7 Fmi7 Bb7 Ebma7

Simple reharmonization: Ebma7 E°7 Fmi7 E7 Ebma7

Explain functionally how and why the diminished and dominant chords work as substitutes.
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08-28-2023, 08:48 PM
#2515
Originally Posted By z4v4⏩
So, since he skipped the question, let's start with something easier than a …, shall we?
Would you mind editing and removing the word I replaced with … from your post? It makes Googling it way too easy and given the fact that he didn't answer I'm starting to think he really has no idea what we're talking about here.
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08-28-2023, 09:19 PM
#2516
Originally Posted By adimare⏩
Would you mind editing and removing the word I replaced with … from your post? It makes Googling it way too easy and given the fact that he didn't answer I'm starting to think he really has no idea what we're talking about here.
Ok, I'll play…
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08-28-2023, 09:48 PM
#2517
Originally Posted By z4v4⏩
Ok, I'll play…
Thx. You must spread some Reputation around before giving it to z4v4 again. I'll start using the rep system a bit more, feels like I'm always on recharge.

The Thanks! is just for chits and giggles, I assume it's pretty obvious it's a test. I've never liked the attitude of "once I mastered basic harmony I needed to challenge myself with something more complex and that's when I out leveled you peasants by getting into jazz", but I especially don't like it if the person hasn't even put in the effort to actually learn a bit about jazz…
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08-28-2023, 11:23 PM
#2518
Originally Posted By adimare⏩
Thx. You must spread some Reputation around before giving it to z4v4 again. I'll start using the rep system a bit more, feels like I'm always on recharge.

The Thanks! is just for chits and giggles, I assume it's pretty obvious it's a test. I've never liked the attitude of "once I mastered basic harmony I needed to challenge myself with something more complex and that's when I out leveled you peasants by getting into jazz", but I especially don't like it if the person hasn't even put in the effort to actually learn a bit about jazz…

Cept I never called or implied anyone was a peasant, nor was I condescening to anyone. I simply said I found jazz to offer a level of complexity the 80s shredders weren't offering (which makes sense, since heavy distortion won't work with that complex a harmony, really).

It's simply an autobiographical comment, which for some weird reason, prompted your little pop quiz. FYI, Tony Macalpine made a similar progress. He was an archetypal 80s shredder but formed the CAB band with Bunny Brunel and Dennis Chambers in the 90s which was jazz fusion.


I don't know why you did your own scare quotes when my own words are right there to quote.
Back off, Warchild.

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08-28-2023, 11:45 PM
#2519
Originally Posted By Bodhy⏩
Cept I never called or implied anyone was a peasant, nor was I condescening to anyone. I simply said I found jazz to offer a level of complexity the 80s shredders weren't offering (which makes sense, since heavy distortion won't work with that complex a harmony, really).
You used the expression "trite and old-hat", of course you were being condescending.

Originally Posted By Bodhy⏩
It's simply an autobiographical comment, which for some weird reason, prompted your little pop quiz.
It's a very simple question, which would immediately prove to me and everyone here that you've at least spent some time studying jazz harmony and aren't just saying these things to make yourself look good. I once asked z4v4 something similar, and he answered perfectly. To be fair tho, I didn't actually doubt z4's claims so my attitude was different, whereas with you I'm not so sure. The fact that you're refusing to explain the chord progression is very sus.

Once again, here it is, it's just three chords:
Dbm7 Gb7 Abmaj7

If you can't explain what that is (or isn't, in case I just wrote 3 random chords that make no sense to try and trick you) there's no way you're well versed in jazz harmony.
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08-29-2023, 12:11 AM
#2520
Originally Posted By adimare⏩
You used the expression "trite and old-hat", of course you were being condescending.

No, I wasn't. I'm speaking of the limitations of harmony in a particular genre of music, not attacking any one in particular. Of course a limited harmony will sound trite after awhile, it's just the way the ear works.

Z4v4 correctly identified you as springing a pretty childish gotcha, and he actually poses a better question IMO. Yours is missing some vital context IMO: What key is it? Jazz progressions don't necessarily start from the root chord.

Z4v4 asked about chord substitutions. The diminished chord substitution has the same notes as the original chord sans sharing the root. If you eliminate the root you have the same notes, and your bass player for example, could shape the chord by choosing the root note. Why might you choose it? From memory it'd create a stronger desire in the ear for resolution to the root chord, or it could give you options for diminished scales/arpeggios over the chord.

The second concept he poses is the tritone substition, where you substitute a 7th chord for one a tritone away (flattened fifth). Why? Offers a nice chromatic descension in your root notes of the chord progression if you're doing a II-V-I.

That, IMO, is a perfect explanation Z4v4 would be happy with. I didn't even have to look back over the page, I worked from memory of what I thought he wrote.





See, I'm not really thinking you were acting in good faith here. I think he correctly called you on making a pretty childish gotcha. You could have been doing the DDSF1 thing where I jump through your hoops and you find an excuse to keep it going, like he accuses me of faking my transcript, you could have just said "Ha! You googled that!".


Was that your intention, to just accuse me of cheating or googling?
Back off, Warchild.

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