Banned 3-days for hateWe flagged the following as a potential policy violation:Content shared from FoggyLanguage on 07/10/2026 UTCAfter reviewing, we found that you broke Rule 1 because you promoted identity-based hate or attacks.

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Dan McClellan and his fans have been shilling the Oxford Annotated Study Bible but it's very far from politically neutral

For example:

Working with a different but often complementary agenda, womanist voices have developed a liberating mode of interpretation that understands issues of race, class, and gender as interrelated. At times this means pushing back against sayings of Jesus that reinforce oppressive norms, for example the story of the Canaanite woman who begs Jesus to cure her daughter and is insulted by him, as Jesus compares her to a dog (Mk 7.24–30; Mt 15.21–28). In other cases, womanist voices have used the Gospels to suggest other ways of understanding Jesus’s crucifixion and suffering. The Gospels have often provided rich resources for anti- Jewish stereotypes. Drawing on Synoptic attacks on the Pharisees, later Christian polemicists would stereotype Judaism as a “legalistic” religion obsessed with empty ritual and concerned only with other Jews; by contrast, Christianity was the authentic, universal religion of faith for all. These pejorative representations of Judaism appear alongside other common stereotypes, as in Shakespeare’s Merchant of Venice, in the thought of the philosopher Immanuel Kant, and in much other literature, art, and philosophy. From the medieval period to the present, “Passion Plays” have been a popular mode of enacting the events surrounding Jesus’s betrayal, trial, and death. The Gospels clearly represent Jesus as a Jewish teacher executed by Roman officials, but these productions help to popularize a resilient view of Jews as “Christ killers,” which continue to legitimate hatred and violence. A famous and long- lasting version of this drama is still performed in the German village of Oberammergau, where in the seventeenth century villagers came to believe their performance had saved them from a plague. This production remains a popular attraction and in the twentieth century was viewed with approval by Adolf Hitler. Its producers have recently responded to critique of its intensely anti- Semitic characterizations of Jews and revised the play accordingly. Other recent analogues, for example Mel Gibson’s film The Passion of the Christ, portray corrupt, bloodthirsty Jews as responsible for Jesus’s murder and so amplify and expand the Gospel polemics.